Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content

This research which is the second part will be an extensive elaboration on the newly formed content making framework. In the first part of the research, the research was conducted to establish and form a frame ork which looked into two “art interpretation” frameworks. One was from Lucy Lippard’s fra...

全面介紹

書目詳細資料
發表在:International Colloquium of Art and Design Education Research (i-CADER 2014)
主要作者: 2-s2.0-84955367684
格式: Book chapter
語言:English
出版: Springer Singapore 2016
在線閱讀:https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955367684&doi=10.1007%2f978-981-287-332-3_31&partnerID=40&md5=8c47f7cbc49f093a332ba862cd895bbb
id Arif M.F.M.; Lugiman F.A.; Mohamad N.
spelling Arif M.F.M.; Lugiman F.A.; Mohamad N.
2-s2.0-84955367684
Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
2016
International Colloquium of Art and Design Education Research (i-CADER 2014)


10.1007/978-981-287-332-3_31
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955367684&doi=10.1007%2f978-981-287-332-3_31&partnerID=40&md5=8c47f7cbc49f093a332ba862cd895bbb
This research which is the second part will be an extensive elaboration on the newly formed content making framework. In the first part of the research, the research was conducted to establish and form a frame ork which looked into two “art interpretation” frameworks. One was from Lucy Lippard’s framework extracted by Cynthia Freeland, and the second was from Terry Barrett. Thus, in the second part of the three subseries, thi paper will focus on explicating and elaborating the first key principle which is “context.” This was done through cross-referencing and interpreting several literatures especially that of Freeland (2003), Art Theory: A Very Short Introduction ; Barrett (2011), Making Art: Form and Meaning ; Heartney (2008), Art and Today ; Robertson and McDaniel (2010), Themes of Contemporary Art: Visual Art after 1980 ; Lucie-Smith (1999), Art Today ;Lazzari and Schlesier (2008), Exploring Art: A Global, Thematic Approach ; Kalb (2013), Art Since 1980: Charting the Contemporary ; and Collins (2007), Sculpture Today. Other nonprinted key reference was a short-format documentary series from the Sollins and Dowling’#x2019;s ART21 - seasons 1 until 6 (2001-2012). © Springer Science+Business Media Singapore 2015.
Springer Singapore

English
Book chapter

author 2-s2.0-84955367684
spellingShingle 2-s2.0-84955367684
Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
author_facet 2-s2.0-84955367684
author_sort 2-s2.0-84955367684
title Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
title_short Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
title_full Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
title_fullStr Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
title_full_unstemmed Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
title_sort Elaborating context from the content making framework: Guideline model for the usage of fine art student in developing their content
publishDate 2016
container_title International Colloquium of Art and Design Education Research (i-CADER 2014)
container_volume
container_issue
doi_str_mv 10.1007/978-981-287-332-3_31
url https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955367684&doi=10.1007%2f978-981-287-332-3_31&partnerID=40&md5=8c47f7cbc49f093a332ba862cd895bbb
description This research which is the second part will be an extensive elaboration on the newly formed content making framework. In the first part of the research, the research was conducted to establish and form a frame ork which looked into two “art interpretation” frameworks. One was from Lucy Lippard’s framework extracted by Cynthia Freeland, and the second was from Terry Barrett. Thus, in the second part of the three subseries, thi paper will focus on explicating and elaborating the first key principle which is “context.” This was done through cross-referencing and interpreting several literatures especially that of Freeland (2003), Art Theory: A Very Short Introduction ; Barrett (2011), Making Art: Form and Meaning ; Heartney (2008), Art and Today ; Robertson and McDaniel (2010), Themes of Contemporary Art: Visual Art after 1980 ; Lucie-Smith (1999), Art Today ;Lazzari and Schlesier (2008), Exploring Art: A Global, Thematic Approach ; Kalb (2013), Art Since 1980: Charting the Contemporary ; and Collins (2007), Sculpture Today. Other nonprinted key reference was a short-format documentary series from the Sollins and Dowling’#x2019;s ART21 - seasons 1 until 6 (2001-2012). © Springer Science+Business Media Singapore 2015.
publisher Springer Singapore
issn
language English
format Book chapter
accesstype
record_format scopus
collection Scopus
_version_ 1828987881572532224