Embodied Narrative: Data Storytelling of Online Artwork Experiences

This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a...

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Published in:Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
Main Author: Baharin H.; Harun A.F.; Mohd Norowi N.
Format: Conference paper
Language:English
Published: Springer Science and Business Media Deutschland GmbH 2024
Online Access:https://www.scopus.com/inward/record.uri?eid=2-s2.0-85175976367&doi=10.1007%2f978-981-99-7339-2_12&partnerID=40&md5=da9b102e4efbed5373635d37c1e5ddea
id 2-s2.0-85175976367
spelling 2-s2.0-85175976367
Baharin H.; Harun A.F.; Mohd Norowi N.
Embodied Narrative: Data Storytelling of Online Artwork Experiences
2024
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
14322 LNCS

10.1007/978-981-99-7339-2_12
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85175976367&doi=10.1007%2f978-981-99-7339-2_12&partnerID=40&md5=da9b102e4efbed5373635d37c1e5ddea
This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a compelling and evocative story to engage audience. The digital landscape is a compelling medium to deliver this storytelling. However, such approach demands a delicate balance between technology incorporation and artistic vision. In an era of converging data and art, this paper explores the aesthetics of data storytelling and immersive online art experiences. Amid CoVID-19 lockdowns, physical art exhibitions migrated online, prompting a study of 3D virtual gallery visits and 2D online artist portfolios. Participants engaged in think-aloud protocols while navigating both formats, revealing insights into rationalizing actions and interpreting artworks online. Challenges emerged, including disrupted responses due to the inability to discern texture in 3D models or artwork photos. Navigational control, viewing distance, detailed artwork descriptions, and stable internet connections further influenced the online viewing experience. This prompts a further exploration on means to curate online exhibitions thoughtfully, where data aesthetics and artistic storytelling is harmonized for realistic interpretation within the digital expanse. © The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2024.
Springer Science and Business Media Deutschland GmbH
3029743
English
Conference paper

author Baharin H.; Harun A.F.; Mohd Norowi N.
spellingShingle Baharin H.; Harun A.F.; Mohd Norowi N.
Embodied Narrative: Data Storytelling of Online Artwork Experiences
author_facet Baharin H.; Harun A.F.; Mohd Norowi N.
author_sort Baharin H.; Harun A.F.; Mohd Norowi N.
title Embodied Narrative: Data Storytelling of Online Artwork Experiences
title_short Embodied Narrative: Data Storytelling of Online Artwork Experiences
title_full Embodied Narrative: Data Storytelling of Online Artwork Experiences
title_fullStr Embodied Narrative: Data Storytelling of Online Artwork Experiences
title_full_unstemmed Embodied Narrative: Data Storytelling of Online Artwork Experiences
title_sort Embodied Narrative: Data Storytelling of Online Artwork Experiences
publishDate 2024
container_title Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
container_volume 14322 LNCS
container_issue
doi_str_mv 10.1007/978-981-99-7339-2_12
url https://www.scopus.com/inward/record.uri?eid=2-s2.0-85175976367&doi=10.1007%2f978-981-99-7339-2_12&partnerID=40&md5=da9b102e4efbed5373635d37c1e5ddea
description This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a compelling and evocative story to engage audience. The digital landscape is a compelling medium to deliver this storytelling. However, such approach demands a delicate balance between technology incorporation and artistic vision. In an era of converging data and art, this paper explores the aesthetics of data storytelling and immersive online art experiences. Amid CoVID-19 lockdowns, physical art exhibitions migrated online, prompting a study of 3D virtual gallery visits and 2D online artist portfolios. Participants engaged in think-aloud protocols while navigating both formats, revealing insights into rationalizing actions and interpreting artworks online. Challenges emerged, including disrupted responses due to the inability to discern texture in 3D models or artwork photos. Navigational control, viewing distance, detailed artwork descriptions, and stable internet connections further influenced the online viewing experience. This prompts a further exploration on means to curate online exhibitions thoughtfully, where data aesthetics and artistic storytelling is harmonized for realistic interpretation within the digital expanse. © The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2024.
publisher Springer Science and Business Media Deutschland GmbH
issn 3029743
language English
format Conference paper
accesstype
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