Embodied Narrative: Data Storytelling of Online Artwork Experiences
This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a...
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Springer Science and Business Media Deutschland GmbH
2024
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2-s2.0-85175976367 Baharin H.; Harun A.F.; Mohd Norowi N. Embodied Narrative: Data Storytelling of Online Artwork Experiences 2024 Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) 14322 LNCS 10.1007/978-981-99-7339-2_12 https://www.scopus.com/inward/record.uri?eid=2-s2.0-85175976367&doi=10.1007%2f978-981-99-7339-2_12&partnerID=40&md5=da9b102e4efbed5373635d37c1e5ddea This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a compelling and evocative story to engage audience. The digital landscape is a compelling medium to deliver this storytelling. However, such approach demands a delicate balance between technology incorporation and artistic vision. In an era of converging data and art, this paper explores the aesthetics of data storytelling and immersive online art experiences. Amid CoVID-19 lockdowns, physical art exhibitions migrated online, prompting a study of 3D virtual gallery visits and 2D online artist portfolios. Participants engaged in think-aloud protocols while navigating both formats, revealing insights into rationalizing actions and interpreting artworks online. Challenges emerged, including disrupted responses due to the inability to discern texture in 3D models or artwork photos. Navigational control, viewing distance, detailed artwork descriptions, and stable internet connections further influenced the online viewing experience. This prompts a further exploration on means to curate online exhibitions thoughtfully, where data aesthetics and artistic storytelling is harmonized for realistic interpretation within the digital expanse. © The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2024. Springer Science and Business Media Deutschland GmbH 3029743 English Conference paper |
author |
Baharin H.; Harun A.F.; Mohd Norowi N. |
spellingShingle |
Baharin H.; Harun A.F.; Mohd Norowi N. Embodied Narrative: Data Storytelling of Online Artwork Experiences |
author_facet |
Baharin H.; Harun A.F.; Mohd Norowi N. |
author_sort |
Baharin H.; Harun A.F.; Mohd Norowi N. |
title |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
title_short |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
title_full |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
title_fullStr |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
title_full_unstemmed |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
title_sort |
Embodied Narrative: Data Storytelling of Online Artwork Experiences |
publishDate |
2024 |
container_title |
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) |
container_volume |
14322 LNCS |
container_issue |
|
doi_str_mv |
10.1007/978-981-99-7339-2_12 |
url |
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85175976367&doi=10.1007%2f978-981-99-7339-2_12&partnerID=40&md5=da9b102e4efbed5373635d37c1e5ddea |
description |
This paper describes a pilot ethnomethodology study of visiting a 3D virtual gallery that exhibits 3D models of physical artworks and of viewing photographs of artworks in a 2D online artist portfolio. Artwork, with its intrinsic information and layers of meaning, is a form of data which narrates a compelling and evocative story to engage audience. The digital landscape is a compelling medium to deliver this storytelling. However, such approach demands a delicate balance between technology incorporation and artistic vision. In an era of converging data and art, this paper explores the aesthetics of data storytelling and immersive online art experiences. Amid CoVID-19 lockdowns, physical art exhibitions migrated online, prompting a study of 3D virtual gallery visits and 2D online artist portfolios. Participants engaged in think-aloud protocols while navigating both formats, revealing insights into rationalizing actions and interpreting artworks online. Challenges emerged, including disrupted responses due to the inability to discern texture in 3D models or artwork photos. Navigational control, viewing distance, detailed artwork descriptions, and stable internet connections further influenced the online viewing experience. This prompts a further exploration on means to curate online exhibitions thoughtfully, where data aesthetics and artistic storytelling is harmonized for realistic interpretation within the digital expanse. © The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2024. |
publisher |
Springer Science and Business Media Deutschland GmbH |
issn |
3029743 |
language |
English |
format |
Conference paper |
accesstype |
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record_format |
scopus |
collection |
Scopus |
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1809678015386353664 |