Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy

This is a review paper on the apparent force of commercial success and social media presence being a key in the changes of female representation in popular culture using The Hunger Games dystopian trilogy’s global commercial success and its impact as case in point. It argues that the trilogy’s comme...

Full description

Bibliographic Details
Published in:Jurnal Komunikasi: Malaysian Journal of Communication
Main Author: Elier A.; Raihanah M.M.; Hashim R.S.
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2023
Online Access:https://www.scopus.com/inward/record.uri?eid=2-s2.0-85153618907&doi=10.17576%2fJKMJC-2023-3901-20&partnerID=40&md5=32771be35013dd69fda91e5148203e8f
id 2-s2.0-85153618907
spelling 2-s2.0-85153618907
Elier A.; Raihanah M.M.; Hashim R.S.
Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
2023
Jurnal Komunikasi: Malaysian Journal of Communication
39
1
10.17576/JKMJC-2023-3901-20
https://www.scopus.com/inward/record.uri?eid=2-s2.0-85153618907&doi=10.17576%2fJKMJC-2023-3901-20&partnerID=40&md5=32771be35013dd69fda91e5148203e8f
This is a review paper on the apparent force of commercial success and social media presence being a key in the changes of female representation in popular culture using The Hunger Games dystopian trilogy’s global commercial success and its impact as case in point. It argues that the trilogy’s commercial success is valuable in helping normalise the flipped gender roles or subverting the stereotypical gender primes. While dystopian literature supposedly features worlds and societies beyond typical real-life rules, many parts of that fictional world will still exhibit traits and beliefs contemporary to its author and resonate with its audience. The normalisation of gender stereotypes can often be seen in characters and social dynamics portrayed repeatedly throughout other forms of media communication. These and other literary works carry within it these stereotypical traits or behaviours a shorthand frame of reference which are called tropes. In this paper, the tropes are viewed through the sociological lens called stereotype priming which is the perpetuation of stereotypes through systemic means targeting certain behaviours, traits or beliefs. This paper looks at instances of tropes exhibiting priming functions within the dystopian world of not just The Hunger Games trilogy and how the commercial success of the empowered female has paved the way for more positive female representation in popular media culture since then. This lens has been expanded to take into account how The Hunger Games trilogy continues to have relevance post-pandemic regarding issues that current facts have brought dangerously close to dystopian fiction. © 2023, Penerbit Universiti Kebangsaan Malaysia. All rights reserved.
Penerbit Universiti Kebangsaan Malaysia
2289151X
English
Article
All Open Access; Bronze Open Access
author Elier A.; Raihanah M.M.; Hashim R.S.
spellingShingle Elier A.; Raihanah M.M.; Hashim R.S.
Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
author_facet Elier A.; Raihanah M.M.; Hashim R.S.
author_sort Elier A.; Raihanah M.M.; Hashim R.S.
title Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
title_short Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
title_full Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
title_fullStr Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
title_full_unstemmed Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
title_sort Flipping Tropes & Subverting Stereotype Priming in The Hunger Games Trilogy
publishDate 2023
container_title Jurnal Komunikasi: Malaysian Journal of Communication
container_volume 39
container_issue 1
doi_str_mv 10.17576/JKMJC-2023-3901-20
url https://www.scopus.com/inward/record.uri?eid=2-s2.0-85153618907&doi=10.17576%2fJKMJC-2023-3901-20&partnerID=40&md5=32771be35013dd69fda91e5148203e8f
description This is a review paper on the apparent force of commercial success and social media presence being a key in the changes of female representation in popular culture using The Hunger Games dystopian trilogy’s global commercial success and its impact as case in point. It argues that the trilogy’s commercial success is valuable in helping normalise the flipped gender roles or subverting the stereotypical gender primes. While dystopian literature supposedly features worlds and societies beyond typical real-life rules, many parts of that fictional world will still exhibit traits and beliefs contemporary to its author and resonate with its audience. The normalisation of gender stereotypes can often be seen in characters and social dynamics portrayed repeatedly throughout other forms of media communication. These and other literary works carry within it these stereotypical traits or behaviours a shorthand frame of reference which are called tropes. In this paper, the tropes are viewed through the sociological lens called stereotype priming which is the perpetuation of stereotypes through systemic means targeting certain behaviours, traits or beliefs. This paper looks at instances of tropes exhibiting priming functions within the dystopian world of not just The Hunger Games trilogy and how the commercial success of the empowered female has paved the way for more positive female representation in popular media culture since then. This lens has been expanded to take into account how The Hunger Games trilogy continues to have relevance post-pandemic regarding issues that current facts have brought dangerously close to dystopian fiction. © 2023, Penerbit Universiti Kebangsaan Malaysia. All rights reserved.
publisher Penerbit Universiti Kebangsaan Malaysia
issn 2289151X
language English
format Article
accesstype All Open Access; Bronze Open Access
record_format scopus
collection Scopus
_version_ 1809677683702890496