‘Inbetweenness’, Tanah Air and Nusantara in Dain Said’s Bunohan (2012), Interchange (2016) and Dukun (2018)

This article examines three films by Malaysian Dain Said; Bunohan: return to murder (2012), Interchange (2016) and Dukun (2018). Particular attention is paid to the use of land and water (tanah air) imagery, cinematic qualities, and the richness of the cultural practices of Nusantara from which the...

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Bibliographic Details
Published in:Indonesia and the Malay World
Main Author: Maharam M.E.
Format: Article
Language:English
Published: Routledge 2023
Online Access:https://www.scopus.com/inward/record.uri?eid=2-s2.0-85150820451&doi=10.1080%2f13639811.2023.2168403&partnerID=40&md5=3ad1c41ce75549860c60d887a13d7f60

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