Biophilic design: Why do designers incorporate living organisms in furniture design?
Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to under...
Published in: | Proceedings of the Design Society: International Conference on Engineering Design |
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Cambridge University Press
2018
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2-s2.0-85141119934 Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E. Biophilic design: Why do designers incorporate living organisms in furniture design? 2018 Proceedings of the Design Society: International Conference on Engineering Design https://www.scopus.com/inward/record.uri?eid=2-s2.0-85141119934&partnerID=40&md5=bd18dc90e7c147e663d7b72f936ec696 Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to understand the relationships between Biophilic design and Furniture Designs with Living Organisms (FDLOs). This paper discusses the results of interviews with designers of FDLOs. Moreover, this paper discusses the development of a conceptual model to identify and categorise the rationale behind why designers embedded living organisms into furniture design, based on a typology of 235 FDLOs (incorporating plants, animals, and insects). The conceptual model was also tested through an online survey along with a brief explanation of the preferences, perceptions and emotional responses towards selected FDLOs, by participants in the study. Main findings of the study are in relation to the intentions of the FDLO designers for embedding living organisms in furniture, which were found to be predominantly for functional and experiential purposes, rather than for experimentation, or simply as an aesthetic pursuit. © 2018 Design Society. All rights reserved. Cambridge University Press 22204334 English Conference paper |
author |
Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E. |
spellingShingle |
Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E. Biophilic design: Why do designers incorporate living organisms in furniture design? |
author_facet |
Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E. |
author_sort |
Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E. |
title |
Biophilic design: Why do designers incorporate living organisms in furniture design? |
title_short |
Biophilic design: Why do designers incorporate living organisms in furniture design? |
title_full |
Biophilic design: Why do designers incorporate living organisms in furniture design? |
title_fullStr |
Biophilic design: Why do designers incorporate living organisms in furniture design? |
title_full_unstemmed |
Biophilic design: Why do designers incorporate living organisms in furniture design? |
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Biophilic design: Why do designers incorporate living organisms in furniture design? |
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2018 |
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Proceedings of the Design Society: International Conference on Engineering Design |
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https://www.scopus.com/inward/record.uri?eid=2-s2.0-85141119934&partnerID=40&md5=bd18dc90e7c147e663d7b72f936ec696 |
description |
Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to understand the relationships between Biophilic design and Furniture Designs with Living Organisms (FDLOs). This paper discusses the results of interviews with designers of FDLOs. Moreover, this paper discusses the development of a conceptual model to identify and categorise the rationale behind why designers embedded living organisms into furniture design, based on a typology of 235 FDLOs (incorporating plants, animals, and insects). The conceptual model was also tested through an online survey along with a brief explanation of the preferences, perceptions and emotional responses towards selected FDLOs, by participants in the study. Main findings of the study are in relation to the intentions of the FDLO designers for embedding living organisms in furniture, which were found to be predominantly for functional and experiential purposes, rather than for experimentation, or simply as an aesthetic pursuit. © 2018 Design Society. All rights reserved. |
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Cambridge University Press |
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22204334 |
language |
English |
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Conference paper |
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scopus |
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Scopus |
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1812871800655183872 |