Biophilic design: Why do designers incorporate living organisms in furniture design?

Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to under...

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Published in:Proceedings of the Design Society: International Conference on Engineering Design
Main Author: Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
Format: Conference paper
Language:English
Published: Cambridge University Press 2018
Online Access:https://www.scopus.com/inward/record.uri?eid=2-s2.0-85141119934&partnerID=40&md5=bd18dc90e7c147e663d7b72f936ec696
id 2-s2.0-85141119934
spelling 2-s2.0-85141119934
Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
Biophilic design: Why do designers incorporate living organisms in furniture design?
2018
Proceedings of the Design Society: International Conference on Engineering Design



https://www.scopus.com/inward/record.uri?eid=2-s2.0-85141119934&partnerID=40&md5=bd18dc90e7c147e663d7b72f936ec696
Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to understand the relationships between Biophilic design and Furniture Designs with Living Organisms (FDLOs). This paper discusses the results of interviews with designers of FDLOs. Moreover, this paper discusses the development of a conceptual model to identify and categorise the rationale behind why designers embedded living organisms into furniture design, based on a typology of 235 FDLOs (incorporating plants, animals, and insects). The conceptual model was also tested through an online survey along with a brief explanation of the preferences, perceptions and emotional responses towards selected FDLOs, by participants in the study. Main findings of the study are in relation to the intentions of the FDLO designers for embedding living organisms in furniture, which were found to be predominantly for functional and experiential purposes, rather than for experimentation, or simply as an aesthetic pursuit. © 2018 Design Society. All rights reserved.
Cambridge University Press
22204334
English
Conference paper

author Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
spellingShingle Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
Biophilic design: Why do designers incorporate living organisms in furniture design?
author_facet Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
author_sort Sayuti N.A.A.; Montana–Hoyos C.; Bonollo E.
title Biophilic design: Why do designers incorporate living organisms in furniture design?
title_short Biophilic design: Why do designers incorporate living organisms in furniture design?
title_full Biophilic design: Why do designers incorporate living organisms in furniture design?
title_fullStr Biophilic design: Why do designers incorporate living organisms in furniture design?
title_full_unstemmed Biophilic design: Why do designers incorporate living organisms in furniture design?
title_sort Biophilic design: Why do designers incorporate living organisms in furniture design?
publishDate 2018
container_title Proceedings of the Design Society: International Conference on Engineering Design
container_volume
container_issue
doi_str_mv
url https://www.scopus.com/inward/record.uri?eid=2-s2.0-85141119934&partnerID=40&md5=bd18dc90e7c147e663d7b72f936ec696
description Biophilia theory proposes that human beings have an innate tendency to connect with nature. Biophilic design is Biophilia applied to the design of the built environment. A survey of the literature found a gap in the application of Biophilic Design to furniture design. Thus, this study aimed to understand the relationships between Biophilic design and Furniture Designs with Living Organisms (FDLOs). This paper discusses the results of interviews with designers of FDLOs. Moreover, this paper discusses the development of a conceptual model to identify and categorise the rationale behind why designers embedded living organisms into furniture design, based on a typology of 235 FDLOs (incorporating plants, animals, and insects). The conceptual model was also tested through an online survey along with a brief explanation of the preferences, perceptions and emotional responses towards selected FDLOs, by participants in the study. Main findings of the study are in relation to the intentions of the FDLO designers for embedding living organisms in furniture, which were found to be predominantly for functional and experiential purposes, rather than for experimentation, or simply as an aesthetic pursuit. © 2018 Design Society. All rights reserved.
publisher Cambridge University Press
issn 22204334
language English
format Conference paper
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