Conceptual labyrinth pattern design for ceramic stoneware art form

Since ancient times, the labyrinth has been commonly used as puzzles. The labyrinth consists of selections of pathways which are separated by a number of walls that lead to multiple directions. Patterns that project through labyrinth walls conceived an interesting value in an aesthetic concept espec...

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Bibliographic Details
Published in:International Colloquium of Art and Design Education Research (i-CADER 2014)
Main Author: Jamil N.J.; Hamran N.; Vermol V.V.
Format: Book chapter
Language:English
Published: Springer Singapore 2016
Online Access:https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955376509&doi=10.1007%2f978-981-287-332-3_35&partnerID=40&md5=41ae328e1839c8a0131e2541a4fc3de1
id 2-s2.0-84955376509
spelling 2-s2.0-84955376509
Jamil N.J.; Hamran N.; Vermol V.V.
Conceptual labyrinth pattern design for ceramic stoneware art form
2016
International Colloquium of Art and Design Education Research (i-CADER 2014)


10.1007/978-981-287-332-3_35
https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955376509&doi=10.1007%2f978-981-287-332-3_35&partnerID=40&md5=41ae328e1839c8a0131e2541a4fc3de1
Since ancient times, the labyrinth has been commonly used as puzzles. The labyrinth consists of selections of pathways which are separated by a number of walls that lead to multiple directions. Patterns that project through labyrinth walls conceived an interesting value in an aesthetic concept especially in developing ceramic decoration. Ceramic is a design topic encompassing a broad, rich, and varied body of work. Therefore, combining the concept of the labyrinth in ceramic design creates a decoration which appears not only in two-dimensional (2D) form but also in three-dimensional (3D) forms. These designs will be experimented through technical problems and brainstorming process of creating a moderated design. © Springer Science+Business Media Singapore 2015.
Springer Singapore

English
Book chapter

author Jamil N.J.; Hamran N.; Vermol V.V.
spellingShingle Jamil N.J.; Hamran N.; Vermol V.V.
Conceptual labyrinth pattern design for ceramic stoneware art form
author_facet Jamil N.J.; Hamran N.; Vermol V.V.
author_sort Jamil N.J.; Hamran N.; Vermol V.V.
title Conceptual labyrinth pattern design for ceramic stoneware art form
title_short Conceptual labyrinth pattern design for ceramic stoneware art form
title_full Conceptual labyrinth pattern design for ceramic stoneware art form
title_fullStr Conceptual labyrinth pattern design for ceramic stoneware art form
title_full_unstemmed Conceptual labyrinth pattern design for ceramic stoneware art form
title_sort Conceptual labyrinth pattern design for ceramic stoneware art form
publishDate 2016
container_title International Colloquium of Art and Design Education Research (i-CADER 2014)
container_volume
container_issue
doi_str_mv 10.1007/978-981-287-332-3_35
url https://www.scopus.com/inward/record.uri?eid=2-s2.0-84955376509&doi=10.1007%2f978-981-287-332-3_35&partnerID=40&md5=41ae328e1839c8a0131e2541a4fc3de1
description Since ancient times, the labyrinth has been commonly used as puzzles. The labyrinth consists of selections of pathways which are separated by a number of walls that lead to multiple directions. Patterns that project through labyrinth walls conceived an interesting value in an aesthetic concept especially in developing ceramic decoration. Ceramic is a design topic encompassing a broad, rich, and varied body of work. Therefore, combining the concept of the labyrinth in ceramic design creates a decoration which appears not only in two-dimensional (2D) form but also in three-dimensional (3D) forms. These designs will be experimented through technical problems and brainstorming process of creating a moderated design. © Springer Science+Business Media Singapore 2015.
publisher Springer Singapore
issn
language English
format Book chapter
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record_format scopus
collection Scopus
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